Google Fonts Blog

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Tuesday, December 12, 2017

Head over to our new Google Fonts Collection on Google Design to stay up-to-date with the latest and greatest developments at Google Fonts. Here you’ll find articles ranging from technical updates and creative improvements to in-depth case studies and curated fonts collections. You can also follow us on Twitter for up-to-the-minute news.

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Posted by Dave Crossland, Font Consultant

Raising the quality of fonts in our collection

Wednesday, December 7, 2016

Since the new Google Fonts directory launched in May, we’ve been hard at work improving the quality of the fonts in our collection. In June we invited a team of typeface designers and font engineers from around the world to our New York City offices to kick off a 4-months font improvement project. Each member of the team was selected for their extensive industry experience in type design or font production:

Jacques Le Bailly (Latin type designer)
Lasse Fister (font engineer)
Marc Foley (font engineer)
Kalapi Gajjar (Indian type specialist)
Thomas Jockin (Latin type designer)
Nhung Nguyen (Vietnamese type specialist)
Alexei Vanyashin (Cyrillic type specialist)

The team was tasked with improving the quality of fonts in our catalog. During the first week we examined the entire Google Fonts collection to determine the strengths and weaknesses. We considered various possible approaches to improving quality, and at the end of the week we decided to focus on typefaces that were already widely used and had great potential. We divided the project into three sprints.

Design work consisted of adding glyphs to support more languages, fixing incorrectly placed or shaped accent marks, re-spacing the type’s metrics and kerning, and in some cases re-drawing the designs from scratch. In each sprint we spent one week on quick improvements to one or two families, and three weeks for a deep dive on a single project.

To ensure we maintained a high standard of work and stayed true to the original intent of each design, our entire design process was done in the open (on GitHub) and was regularly documented in the Google Fonts Discussions Group. For each design, our team critiqued each other’s work, and kept in touch with the original designers whenever possible.


Pacifico and Quicksand

In the coming weeks, our team will push the new versions of these fonts. Updated fonts will appear in the Google Fonts directory, and the new higher quality designs will automatically benefit any site or product that uses the Google Fonts API.

Larger, deep-dive projects:

Alfa Slab One, Cabin + Cabin Condensed, Comfortaa, Didact Gothic, Inconsolata, Jura, Maven Pro, Muli, Nunito (and a new Nunito Sans!), Pacifico, Quicksand, Rubik, VT323.

Smaller projects with wider language support:

Anaheim, Anton, Arvo, Bad Script, Bangers, Bevan, Bitter, Cabin Sketch, Cutive Mono, Dancing Script, Francois One, Homenaje, Indie Flower, Kurale, Lobster, Lora, Marmelad, Metrophobic, Merriweather, Neuton, Oswald, Play, Podkova, Poiret One, Prata, Press Start 2P, Raleway, Rokkit, Ropa Sans, Rubik Mono, Share Tech, Sigmar One, Telex, Trocchi, Varela Round, Yanone Kaffeesatz.

Keep watching this blog for new posts by the team summarizing their type design processes, thoughts and decisions.

Posted by Dave Crossland, Program Manager

Adobe Typekit improves the Rosario typeface family

Thursday, May 23, 2013

Since 2010, Google Fonts been collaborating with the Adobe Typekit team to create better web font technology. And now that many fonts first published by Google Fonts are also available in Adobe Edge Web Fonts, we’re extending that collaboration beyond just software to fonts themselves.Together with Adobe, we want to improve the quality of open source fonts available to everyone publishing on the web. As a first step, the Typekit team has optimized Rosario, a humanist sans serif based on the classic proportions of Garamond’s type.To start the process, Typekit reached out to the foundry, Omnibus Type, to request up to date copies of the font source files. Here are some examples of the possible optimizations that the Adobe team might make to a web font:

Convert and/or clean up outlines, for design fidelity and file size efficiency

Re-componentize source fonts, for file size efficiency

Remove/reassign glyphs with incorrect Unicode code points, for semantic value

Add common missing glyphs (non-breaking space, soft hyphen)

Set vertical metrics values according to best practices

Set underline and strike-through values, for design consistency

Contribute PostScript hints and (if a typeface was designed for small sizes like paragraph text) TrueType instructions (also called hinting), which consist of instructions to the rasterizer embedded in the font file itself

After making some of these improvements, Typekit sent their version back to the foundry to review and release on the Omnibus Type homepage. The updated Rosario family is now available in Typekit, Adobe Edge Web Fonts and Google Fonts.Together with the Typekit team, we’re looking forward to more quality improvements in the future!Posted by Dave Crossland, Font Consultant